The Impossible Pirate — Themes and Context

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In Category - Space Future
Smith, George O. (George Oliver), 1911-1981, Swenson [Illustrator] Project Gutenberg 2022 Not confirmed
Science fiction; Short stories; Police -- Fiction; Space pirates -- Fiction Readers of public-domain and historical texts
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Words 8,648
Reading time 38 min
Text sections 1

The source record for The Impossible Pirate — Themes and Context measures this digital text at 8,648 words, 38 min estimated reading time, and 1 detected text section.

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In George O. Smith's 1946 science fiction story, Solar Police Lieutenant Jeffries is assigned the impossible task of catching Black Morgan, a space pirate who intercepts ships at faster-than-light speeds. The narrative balances Jeffries' skeptical investigation with Morgan's confident heists, building toward a logical resolution rooted in the pirate's apparent impossibility.
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Jeffries was an excellent officer. He was loyal, ambitious, and zealous. Cases assigned to him came in after a reasonable length of time, and they were sealed shut and glued down with all the necessary evidence. Those cases that were not to go to court, complete, were those in which the criminal preferred to shoot it out, and Lieutenant Jeffries was both brave and an excellent shot--as well as being a good strategist. He'd been working too hard, and as Edwards said, a real vacation would have been boring.

The will-o'-the-wisp known as Black Morgan, the Pirate, would give him a rest.

Jeffries went home to pack. Black Morgan was a space pirate and the place to look for him was in space. That space piracy was impossible for divers reasons seemed to make little difference to Black Morgan. He did it.

Lieutenant Jeffries made his plans, knowing the facts. First was to encounter Black Morgan. Theorizing how it would be possible to commit piracy on a ship traveling at twenty-five hundred miles per second, running at 3-Gs constant acceleration would do no good. It had been agreed impossible. Yet Black Morgan did it.

So Jeffries must first encounter the villain and then take after him. With but six months, Jeffries could not even begin to inspect the corners of the solar system that _hadn't_ been covered before.

But unlike straight hunting, in which the hunter must locate his quarry, when hunting rats, you bait rattraps and let the rat come to you.

Accordingly, Lieutenant Jeffries made a personal call to the Office of Shipping and requested confidential data on all shipments of high value, and then picked out the first. To add to the certainty, Jeffries called upon the editor of a sensation-seeking news agent and disclosed the fact that he, Lieutenant Jeffries, was being sent on the _Martian Queen_ to protect a shipment of radiosodium.

Then, when the time came, Lieutenant Jeffries went boldly to the space line terminal and embarked.

The first part of the trip was uneventful. At 3-Gs, the ship's velocity mounted swiftly as the hours passed under the constant acceleration. Jeffries watched the crew and the passengers idly, because all of them had been thoroughly investigated before the ship's take-off. They were citizens about which there could be no doubt, and therefore anything but a cursory watch was unnecessary. Jeffries divided his time between the passengers and the Chief Signal Officer, Jones, who willingly gave him whatever information he needed.

At one time, Lieutenant Jeffries asked Jones why space piracy was considered so impossible.

"You mean Black Morgan," smiled Jones. "Well, space piracy isn't impossible excepting the way he is supposed to do it. Piracy near either terminal might go off. But when we're rattling through space near mid-course at about two thousand miles per second, how could it be done?"

"Don't follow," objected Jeffries.

"First, 3-Gs is about all that people can stand over any long period. You can take five sitting down, and about eight lying on a pressure mattress, and I've heard of men taking fifteen while immersed in a pressure-pack that equals the specific gravity of the human body. But taking even 5-Gs for any length of time will kill. Even three is a strain for men who have been raised under one."

"Yes?" prompted Jeffries.

"It's the timing that would stop him," said Jones. "You can't possibly lie await in space until we come into detector range because detector range is about a million miles. At one thousand miles per second, that's offering you one thousand seconds from extreme range to zero range and another thousand from zero range to extreme range on the other side--on the way out. Two thousand seconds is about thirty-three minutes. To match our speed in that time would require an acceleration of about twenty-five hundred feet per second, which is approximately 75-Gs. Impossible! Plus the fact that he would have to lie in space within a million mile radius of our course."

"Supposing he picked up your trail close to Terra?"

Jones smiled. "If he could detect us, we'd detect him," laughed Jones.

"Supposing he had a better detector."

"We're at the theoretical limit of sensitivity now," said Jones. "And we've been there for years. The noise level, thermal agitation in the set itself, and a horde of other things limit the ultimate sensitivity of any detector. And don't mention noise-eliminators. They aren't. You can't stop electrons from rubbing one another and that's that!"

"We--as he may--also use both pulse-type detectors and aperiodic receivers. People would have known that he was following them."

Lieutenant Jeffries of the Solar Police is handed a mission that his superior, Captain Edwards, openly expects him to fail: catch Black Morgan, the space pirate who has eluded every officer. Edwards frames the assignment as a working vacation, a way to keep Jeffries' mind occupied while he recovers from overwork. Jeffries responds with dry humor, comparing the task to finding the mythical planet Vulcan or a covey of Voimaids. The story thus establishes a central tension between the official belief that Black Morgan is a real criminal and the accumulating evidence that his feats—intercepting ships traveling at twenty-five hundred miles per second, decelerating in milliseconds—are physically impossible.

The Case for Impossibility

The narrative methodically builds a case that Black Morgan cannot exist. Jeffries reviews a list of technical objections: no spacecraft could survive the decelerative gravities required to match velocities; no construction company has built the pirate's distinctive ship; no workman has claimed the reward for information. The evidence is entirely negative, leading Jeffries to conclude that "Black Morgan did not exist." Yet the robberies continue, with an armed man in a standard spacesuit boarding ships and looting passengers. The story thus poses a puzzle: how can an impossible event produce tangible results? Smith uses this paradox to drive the plot, forcing Jeffries to reason from the premise that if the pirate is a myth, then the method of piracy must be something other than what it appears.

Parallel Perspectives: Hunter and Hunted

The excerpts alternate between Jeffries' investigation and Black Morgan's point of view, creating a structural contrast. Jeffries is methodical, analytical, and skeptical; he rereads statements and thinks in logical steps. Black Morgan, by contrast, is confident and operational: he checks his gear, monitors take-offs, and exults after a successful heist. The pirate even feels a "single pang of sorrow" for Jeffries before dismissing him. This dual perspective allows the reader to see both the detective's reasoning and the criminal's actions, building suspense as Jeffries' deductions approach the truth. Notably, Black Morgan's success depends on information—he bribes employees, watches markets, and taps communication beams—suggesting that his advantage is not supernatural but informational.

Voice and Humor in a Serious Frame

Smith leavens the technical puzzle with dry humor and characterful dialogue. Jeffries' opening exchange with Edwards is laced with irony: he thanks his superior for the "compliment" of an impossible assignment, and Edwards responds with a paternal nod. Jeffries' parting joke about Vulcan and Voimaids sets a tone of wry skepticism that persists throughout. Even Black Morgan, in his moment of triumph, laughs "uproariously." This humor does not undercut the stakes but rather humanizes the characters, making the intellectual puzzle more engaging. The story's voice—brisk, slightly sardonic, and grounded in the language of police procedure—distinguishes it from more melodramatic space operas of the period.

Readers approaching The Impossible Pirate should attend to how Smith structures the mystery: the technical impossibilities are laid out early, and the solution must logically resolve them without violating the story's own rules. The alternating viewpoints reward attention to what each character knows and when. The story is a compact puzzle story, not a character study, and its pleasures lie in watching Jeffries' reasoning unfold.

Reading about Jeffries unraveling that pirate’s impossible trick felt like watching a knot finally give. That same quiet ache stayed with me afterward—the way a puzzle, once solved, leaves a strange hollow. Collision Orbit — A Closer Reading touched something similar, a tenderness for the logic underneath our most stubborn illusions. I keep thinking about it in odd, quiet moments.

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