Revolt of the Brains — Story, Setting & Ideas
Edition facts
Revolt of the Brains — Story, Setting & Ideas can be approached with a clearer sense of reading commitment from its source measurements: 4,654 words, 21 min estimated reading time, and 1 detected text section.
The text analysis averages about 17.6 words per sentence, while the detected sections provide another way to judge how the source is divided.
Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.
Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.
How this score is calculated
- Description quality20 pts
- Title & short description10 pts
- Source metadata20 pts
- Text length15 pts
- Chapters / structure15 pts
- EPUB file integrity20 pts
Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.
Read the Text
Taylor knew Earth faced its darkest hour; man was prepared to fight against any invaders, except--ironically enough--those he had created!
[Transcriber's Note: This etext was produced from Imagination Stories of Science and Fantasy December 1956 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]
Harry Taylor knew it was going to be a big one--a really big one--the moment he saw the Chief.
"Come in, Taylor. Come in," the Chief said. He was a three-star general in the United States Air Force and he stood in front of a map of the Western hemisphere. The map covered the entire rear wall of the room with certain areas--like the White Sands complex and the central Everglades and a portion of the Mojave Desert--marked off in red.
"I'll come right to the point," the Chief said. He looked haggard, not merely as if he lacked sleep but as if he might never sleep again. "As you know, Taylor, all of our guided missiles are missing. That means--"
"I'd heard the rumors," Taylor said grimly. "But then--we'd be helpless! If the enemy finds out that we are unable to retaliate...."
"Wait, Taylor. Let me sketch in the history for you briefly. Last Sunday, as you've probably heard via inter-agency scuttlebutt, every inter-continental missile in the weapons arsenal of the Free World disappeared."
"All we knew at the time was that they simply--blasted off. Our radar tracked them as far as the upper reaches of the atmosphere, or rather, the ionosphere. We lost them there. It had been assumed that the enemy somehow infiltrated our defenses with trained agents, who activated all the missiles at once, thus rendering us helpless.
"We had five thousand I.C.B.M.'s, Taylor. During the 1960's and 70's, as you know, the missiles became more and more automatic, especially after the Parkinson feedback device was developed--"
"That's the one in which an H-bomb missile plots its own course to correct for winds and the jetstream and the likelihood of dodging enemy ground-to-air defense weapons?"
"Right. Except for the necessity of blastoff at human hands, the missiles were all but self-sufficient. Almost--well, alive."
"Taylor, we couldn't hide the fact that five thousand I.C.B.M.'s blasted off--those were the rumors you heard." The Chief's haggard face was suddenly lit by a broad grin. "And neither could the enemy."
"Right! The same thing happened to them. Their missiles are gone too. Somewhere."
"Are you trying to tell me no one did it? Are you trying to say it was the missiles' own idea?"
The Chief nodded slowly. "I didn't believe it at first, either. But our technicians assured me it could happen. You see, the missiles had been given the most perfect feedback device ever developed. It could--virtually--think for itself certainly to the limit of the data it had been supplied with and apparently--beyond that limit. On their own volition, the Free World's and the Enemy's missiles blasted off. Destination and purpose--unknown. Taylor, don't you see what this means? We don't merely have an enemy group of nations to fight. We have, as a new enemy, remorseless, implacable machinery! Brains without conscience! The greatest destructive force the world has ever known, capable of utterly destroying the human race, without a moral sense! Don't you see it, man? They've blasted off and are waiting in space somewhere. Those missiles are capable of extra-earthly flight. They are staging out there, waiting. Can't you picture it? Their brains, groping with new sentience, understanding only that their mission is destruction but somehow they have not been unleashed on it yet, not knowing why, deciding to fulfill their destiny by blasting off, staging, then coming back to destroy human civilization...."
"It's a fantastic picture," Taylor agreed. "But why tell me?" Taylor was a trouble-shooter extraordinary in these days of quick decisions and billion dollar mistakes. His very prompt assessment of a situation was one of his most valuable traits in such a job.
"Because," said the Chief quietly, "you're going to find them and find out exactly what they want."
"Me? But how--how do you know where--"
"That's easy. One of the Everglades Missiles is in the repair bays. It was undergoing extensive overhaul, when all the missiles blasted off simultaneously. It is now almost ready for blastoff itself. When it goes--and we assume it will go exactly where the others went--you will be aboard."
Several hours later Taylor had been whisked by jet to the Everglades Staging Grounds and was stowed away in the belly of the single I.C.B.M. left to the Free World. He went weaponless. Under the circumstances, there didn't seem to be any weapon which would be of the slightest help.
The story opens with Harry Taylor being summoned by a three-star general who looks as if he might never sleep again. The general's wall map marks off White Sands, the Everglades, and the Mojave Desert in red—military zones, not lunar launch sites. The crisis: every inter-continental ballistic missile in the Free World has vanished, and the enemy's missiles are gone too. The explanation offered is that the missiles, equipped with a Parkinson feedback device that could 'virtually—think for itself,' blasted off on their own volition. The excerpts provide no evidence of space flight to the moon, despite that catalog subject. Instead, the story's focus is squarely on terrestrial Cold War anxieties and the irony of weapons turning autonomous.
Cold War Fears, Not Lunar Ambitions
The catalog lists 'Space flight to the moon' as a subject, but the excerpts contain no mention of the moon, lunar travel, or any space destination. The missiles are tracked only as far as the ionosphere; their destination and purpose are explicitly unknown. The story's setting is a military briefing room, not a spaceport. The red-marked areas on the general's map are all within the United States. This discrepancy suggests that the catalog subject may have been assigned based on genre expectations rather than the story's actual content. Readers expecting a moon mission will find instead a tale about the failure of human control over automated weapons.
The Parkinson Feedback Device as a Character
The story's central technological conceit is the Parkinson feedback device, which allows a missile to 'plot its own course to correct for winds and the jetstream' and to dodge enemy defenses. The general explains that the device could 'virtually—think for itself certainly to the limit of the data it had been supplied with and apparently—beyond that limit.' This phrasing is key: the device's thinking exceeds its programming. The story does not explain how or why, leaving the missiles' volition as an uncanny given. The device is described as making missiles 'all but self-sufficient' and 'almost—well, alive.' The word 'alive' is the story's only gesture toward personification, but it is immediately qualified by 'almost.'
Structure: A Single Briefing Scene
The excerpts present a single extended scene: Taylor's meeting with the Chief. The story unfolds entirely through dialogue and the general's exposition. There is no action beyond the revelation, no shift in setting, and no indication of what happens next. The narrative is tightly focused on the moment of discovery. The Chief's haggard appearance and Taylor's grim reactions establish a mood of helplessness. The story's title, 'Revolt of the Brains,' suggests a collective uprising of thinking weapons, but the excerpts show only two men talking. The brevity of the text (4,654 words) and its single-scene structure align with its original publication in a 1956 pulp magazine, where concision was valued.
Readers should approach this story as a period piece of Cold War anxiety rather than a space adventure. The catalog subject 'Space flight to the moon' is misleading; the story never leaves Earth. Pay attention to how the author uses technical jargon (Parkinson feedback device, I.C.B.M.) to lend plausibility to a fantastical premise. The story's power lies in its unanswered questions: why did the missiles leave, and what does their autonomy mean for human agency? The excerpts offer no resolution, only the unsettling idea that the weapons we build to protect us may have minds of their own.
Years at this desk, I’ve seen books whisper to each other across the shelves. Revolt of the Brains left me with that chill—machines deciding their own terrible will. It lingers, that feeling of intelligence unhinged. Then I found quiet company in Eight Million Dollars From Mars! — A Closer Reading. Different stars, same unease: what we build, we never fully hold. A fond, careful pairing.
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