Man-Trap — Themes and Context

(0 User reviews)   1814
In Category - Social Speculation
Terry, W. E., 1921-1992 [Illustrator], Annas, Hal Project Gutenberg 2021 Not confirmed
Science fiction; Short stories; Man-woman relationships -- Fiction; Sexual attraction -- Fiction Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 5,112
Reading time 23 min
Text sections 1

The catalog record for Man-Trap — Themes and Context provides practical reading context through 5,112 words, 23 min estimated reading time, and 1 detected text section.

The text analysis averages about 15.4 words per sentence, while the detected sections provide another way to judge how the source is divided.

Project Gutenberg metadata also associates the work with “Science fiction,” connecting these edition facts with the source record’s subject description.

In Hal Annas's 1953 story, a man who scorns marriage encounters a woman and a mysterious invention called the Man-Trap. The excerpts reveal a comedic, rule-bound protagonist and a gadget that manipulates attraction, but the full plot remains unclear.
Share
Editorial Edition Score 4.4/5

Calculated from edition completeness, EPUB availability, text structure and catalogue metadata. Not a user rating.

How this score is calculated
  • Description quality20 pts
  • Title & short description10 pts
  • Source metadata20 pts
  • Text length15 pts
  • Chapters / structure15 pts
  • EPUB file integrity20 pts

Total of 100 points, scaled to a 2.5-5.0 range. Editions with an empty description or a missing EPUB file are not scored.

Edition quality

Read the Text

Jerry vowed no woman would ever entice him into matrimony. But of course, that was before Professor Madigan's invention, the--

[Transcriber's Note: This etext was produced from Imagination Stories of Science and Fantasy December 1953 Extensive research did not uncover any evidence that the U.S. copyright on this publication was renewed.]

Jerry Kerran watched the news analyst fade from the screen to be replaced by a woman who looked directly at him and said, "Listen, girls! Professor Madigan's greatest invention. A new kind of magnetism more powerful than gravity. Works as a supplement to a natural magnetism. Can be controlled--"

Kerran switched off the current. "Women," he growled. "Bah!"

He had three rules concerning woman: a) if she won't stay home and neck on the sofa get rid of her; b) if she will stay home and neck on the sofa suspect her of matrimonial intentions and get rid of her; c) don't monkey with her to begin with and avoid the nuisance of bothering with the first two rules.

He rose to his lanky six feet of height, brushed the unruly red hair out of his eyes, strode to the door and turned the knob. The door swung wide. He glanced about briefly, then looked down and saw the girl.

She had, he realized, removed her highheels. Ordinarily the top of her platinum hair came an inch above his shoulders. Not that he was in the habit of getting close enough to determine this factor accurately, but he couldn't help seeing her enter and leave the apartment across the way from time to time.

"You knocked?" he said bruskly.

Her head was tilted back, her blue eyes wide. "I need a pound of sugar," she said. "My pneumatic is out of order. Can't get deliveries."

"You mean, you cook?" He stared in awe.

"I'm making a cake," she breathed, inching closer.

He backed out of the doorway and she entered. Without giving him another glance, she went to the pneumatic, cut in the phone and ordered a pound of sugar. She turned back to him.

"It shouldn't be a minute. I'll wait--if you don't mind."

He had tried to keep himself from studying her. Despite this, his eyes told him that her figure was just about perfect and as both a counteraction and a stimulant to the mounting tension in him, her smile was surprisingly bright and full. There was little danger of the flavor of her warpaint confusing a man. She wore little, if any. Her bright lips and cheeks seemed to need no added color.

"Don't bother to stand," she said considerately. She waited until he had lowered himself to the couch, then dropped down beside him, a trifle too close to allow him to put his mind on other things.

"I hope I haven't troubled you." Her hand brushed his.

"Not at all." He drew his hand away.

"From the looks of your side-board," she went on cheerily, "you were just getting ready to mix a drink. I'm an expert. Shall I mix a couple?"

He resisted the inclination to rise when she did, and deliberately kept his eyes from following her. He snatched up the paper, rustled it noisily and tried to concentrate on the headlines.

Two things distracted him. One was the faint scent of perfume and the other was the chinking of ice and glasses. He put the paper aside, tried to put his mind on distant things. This soon palled. He was about to get up and pace the floor when she returned and handed him a cool glass.

"Thanks," he said and leaned back.

She sat down again, so close that her shoulder brushed his. He edged over against the arm of the couch, putting an inch of space between them, glanced sidelong at her, and drank. He rolled his eyes ceiling-ward, smacked his lips and drank again.

"What did you put in it?"

"About a spoonful of creme de menthe, a couple drops of bitters and about two ounces of rye. Like it?"

He scowled deliberately, armoring himself against his feelings. "It's fair--for a woman's mixings. You should have put in more liquor."

"Of course. I'll learn."

"Not from me," he snapped. "I'm a woman-hater."

She leaned toward him. "Why?"

He tossed off the balance of the drink, set the glass on the table and made a sweeping gesture. "They're all alike," he said brutally. "Fickle and treacherous. Deceivers. Always flinging their sex around."

"Not all women," she countered. "Take this Professor Madigan who discovered that new adhesion force."

"Of course. Professor Madigan is a scholarly young woman. Her sex appeal might not win a beauty contest, but she discovered a perfectly wonderful man-catcher."

Hal Annas's "Man-Trap" opens with Jerry Kerran, a man who has codified his aversion to women into three blunt rules: avoid entanglement, suspect matrimonial intentions, and don't bother at all. His bristling independence is immediately challenged by a neighbor who knocks needing sugar—a domestic pretext that punctures his bachelor fortress. The story, published in Imagination Stories of Science and Fantasy in December 1953, introduces a science-fictional device: Professor Madigan's invention, a "new kind of magnetism" that supplements natural attraction. The excerpts show a narrative voice that blends cynical humor with a mid-century setting of pneumatic tubes and televised advertisements, but the full scope of the invention's role remains incomplete.

A Rule-Bound Protagonist

Jerry Kerran's three rules about women are laid out with mechanical precision: if she won't stay home and neck, get rid of her; if she will, suspect matrimonial intentions and get rid of her; don't monkey with her to begin with. This rigid code, presented early in the text, establishes a character defined by resistance to romantic entanglement. The narrator notes his "lanky six feet" and "unruly red hair," physical details that ground him in a specific, almost cartoonish masculinity. His reaction to the neighbor—backing away, snatching up a newspaper—suggests a man performing disinterest. The rules themselves, however, are a comedic exaggeration rather than a serious philosophy, hinting that the story may treat his stance as a setup for reversal.

The Invention and Its Ambiguity

The catalog subject "Social Speculation" and the title "Man-Trap" point to a device that manipulates male-female dynamics. In the excerpts, a television advertisement announces Professor Madigan's invention as "a new kind of magnetism more powerful than gravity" that "works as a supplement to a natural magnetism." The phrasing is deliberately vague: is it a literal magnetic field, a psychological lure, or a metaphor? The story's original publication in a science-fiction magazine suggests a technological explanation, but the excerpts do not reveal how the device functions or whether it is actually deployed. The neighbor's casual request for sugar and her proximity to Jerry may be unrelated to the invention, leaving the connection between the gadget and the plot uncertain.

Setting and Social Cues

The story's domestic setting—an apartment with a "pneumatic" delivery system and a sideboard for drinks—places it in a mildly futuristic 1950s. The woman's platinum hair, blue eyes, and lack of "warpaint" (makeup) are described in terms that emphasize naturalness, contrasting with Jerry's suspicion of feminine artifice. Her line "I need a pound of sugar" and her offer to mix drinks are mundane actions that nonetheless carry social weight: they invade Jerry's space and force interaction. The narrative voice lingers on physical details—height, hair color, the brush of a hand—suggesting that attraction operates through sensory cues rather than the advertised magnetism. The excerpts do not clarify whether the setting's technology (pneumatic tubes, TV ads) is integral to the plot or merely backdrop.

Readers should note that the excerpts cover only the story's opening, leaving the function of the Man-Trap and the resolution of Jerry's encounter unexplored. The catalog subjects emphasize "man-woman relationships" and "sexual attraction," but the text so far focuses on comedic resistance rather than romantic development. Pay attention to how the invention is described when it appears—whether as a literal device or a narrative gimmick—and how Jerry's rules evolve in response.

The rain kept up that afternoon, and I kept returning to the Man-Trap’s strange rule-bound comedy, wondering why the protagonist’s certainty felt so hollow. That thought—how exile can chisel away at a person—led me to Riallaro: The Archipelago of Exiles — Background and Themes, and I sat turning pages until the light outside had gone entirely grey.

There are no reviews for this eBook.

0
0 out of 5 (0 User reviews )

Add a Review

Your Rating *
There are no comments for this eBook.

Reader reflection

What was your reading experience?

Capture what you thought, learned, and would like to remember.

Your progress 0 / 10
1

Have you finished this book?

2

Was reading this book enjoyable?

3

Would you encourage someone else to read it?

4

How much effort did this book require?

Related eBooks